Carniepunk

This book was provided to me by Gallery Books via NetGalley in exchange for an honest review.

Carniepunk, featuring Rachel Caine, Rob Thurman, Seanan McGuire, Jennifer Estep, and Kevin Hearne

Cover via Goodreads

The traveling carnival is a leftover of a bygone era, a curiosity lurking on the outskirts of town. It is a place of contradictions—the bright lights mask the peeling paint; a carnie in greasy overalls slinks away from the direction of the Barker’s seductive call. It is a place of illusion—is that woman’s beard real? How can she live locked in that watery box?

And while many are tricked by sleight of hand, there are hints of something truly magical going on. One must remain alert and learn quickly the unwritten rules of this dark show. To beat the carnival, one had better have either a whole lot of luck or a whole lot of guns—or maybe some magic of one’s own.

Featuring stories grotesque and comical, outrageous and action-packed, Carniepunk is the first anthology to channel the energy and attitude of urban fantasy into the bizarre world of creaking machinery, twisted myths, and vivid new magic. (via Goodreads)

As a fan of Ray Bradbury’s Something Wicked This Way Comes, I was intrigued by an anthology that endeavors to collect carnival stories with an “urban” fantasy bent. Carniepunk contains fourteen stories. Half are stand-alone stories and half are set within the worlds of recent, popular urban fantasy series.

The best of the anthology are from the former category. We start with Rob Thurman’s “Painted Love,” which provides a creepy nod to Bradbury’s Illustrated Man. Hillary Jacques’s “Recession of the Divine” is also a standout, mashing up Greek myth and carnivals with a dash of murder mystery. The best, though, is saved for last. The anthology closes with the exquisite “Daughter of the Midway, the Mermaid, and the Open, Lonely Sea” by Seanan McGuire. The story isn’t very “urban” but it is beautiful and bittersweet.

The other half of the stories, the ones set in preexisting urban fantasy worlds, would probably be better appreciated by someone wider read in that genre than me. While most do an okay job of bringing a new reader up to speed, the occasional exposition gets a little tiring. It also felt like many of these stories relied on the set up, “Favorite character from your favorite series goes to the carnival! Hijinx ensue.” Again, this is probably a lot of fun for readers that follow those series. For someone that doesn’t, the stories don’t seem to take enough advantage of the carnival setting.

One exception is “The Three Lives of Lydia” by Delilah Dawson. It is a “Blud Short Story,” but Dawson doesn’t bother explaining what that means, at least not at first and not at length. The main character and the reader are both thrown into the story, float or swim. Her steampunk world and theatrical characters seem utterly made for a mystical carnival.

The best stories of this anthology are very good. Even if you’re not a heavy reader of urban fantasy, this anthology is worth a look.

Carniepunk is set to be released July 23, 2013 by Gallery Books. (Reviewed early due to travel next week.)

Genre: Urban fantasy
Why did I choose to read this book? Carnivals? Urban fantasy? Sounds good to me.
Format: Kindle eBook, Adobe Digital Edition
Procurement: NetGalley

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