Read “The Bolted Door” by Edith Wharton for Deal Me In, Week 37. I feel there is some ambiguity as to whether failed playwright Hubert Granice actually committed the murder he confesses to, or whether he’s framing himself. I have to say, though, Wharton goes on sometimes. She’s not my favorite author.
For Week 38, I read “The Bone Flute Quartet” by K. J. Kabza. It’s a delightful tale of witchery and storytelling. One of the things I really enjoy about Kabza’s writing is his sentence level choices. I mean, read the following and tell me it isn’t evocative:
The highest spire’s roots spread into the White Palace, the royal quarters of Prince Hallegim, who administered Millstones in the King’s stead. Above, the spire’s tip shone wetly with the blood of the setting sun.
William Gibson’s Alien 3 by William Gibson, Johnnie Christmas (Illustrator), Tamra Bonvillain (Illustrator)
I ended up rewatching Aliens last week and decided it was a good time to pull this graphic novel from my RIP TBR stack. I will admit, I’m more of an Aliens fan than a fan of the Alien franchise, but the movie does cause a problem. It goes too big. What do you do next when you’ve just (spoilers ahead) blown the bigger, more cunning alien queen out the airlock? I mean, I guess a good solution is to not make sequels, but that doesn’t fly in Hollywood when there’s still money on the table.
Personally, I don’t think David Fincher’s Alien³ is that bad. If anything, it makes some interesting decisions. But before there was the Snyder cut, there was the mythical unproduced William Gibson Aliens 3 script. Gibson is of course known for pioneering the sci-fi genre of cyberpunk. What would he do with a Aliens treatment? Actually, it seems that Gibson was a pretty big fan of the first two movies and wrote a script that continued in very much the same vein instead of a story with more cyberpunk flavor. It wasn’t used for the eventual movie and lingered in fandom consciousness until Dark Horse produced a limited run series based on Gibson’s script.
The result is…okay. It is bureaucracy-heavy and I can see why it might not have been what the movie producers wanted.
Notes of Peril
Using Cuts as a Visual Effect – Great video from David F. Sandberg about using cuts in movies, with a focus on horror movies.
Updated ➡️ Mary Shelley’s Frankenstein – Friday, October 2 at 9:00pm ET/8:00pm CT/6:00pm PT
Updated ➡️ Sleepy Hollow – Friday, October 9 at 9:00pm ET/8:00 pm CT/6:00 pm PT
Sweeney Todd – Friday, October 30 at 9:00pm ET/8:00 pm CT/6:00 pm PT
I’m supposed to be reading Gothic stuff for #SomethingWickedFall but it just hasn’t been working for me. My current pick: Japanese Tales of Mystery & Imagination by Edogawa Rampo, James B. Harris (Translator)