The Parasite by Arthur Conan Doyle
Mesmerism (or animal magnetism, or hypnosis) was quite the thing during the 19th century as scientists wildly conjecture about what was within its bounds of possibility. Writers of fiction took the chance to speculate as well. In fact, I reviewed an anthology of hypnosis-based crime stories just last
century year. Arthur Conan Doyle (author of “The Refugees” and “Micah Clark,” as the title books title page reminded me) had his own hypnosis tale to tell.
The Parasite is written in diary-form by our narrator, Gilroy, a skeptic. Gilroy begins the novella thinking that hypnosis is just an entertainment based on deception. He is made a believer when Miss Penclosa, the celebrity hypnotist of the moment, puts his beloved fiancee in a trance and has her (briefly) call off the wedding. Gilroy changes gears and decides he’d like to study Miss Penclosa by being put into trances by her.
From the beginning, Gilroy assures the reader that Miss Penclosa, who has a crippled leg, is kind of creepy and not at all good-looking. He is absolutely not interested in her. But after a few sessions with her, he is strangely drawn to her. And soon, he’s experiencing periods of missing time. Obviously, Miss Penclosa is a very dangerous woman.
Gilroy talking about women, both his fiancee and Miss Penclosa, is a bit cringe-worthy in a late 19th century kind of way. Plot-wise, Doyle’s written better. Skip this one, read Richard Marsh’s The Beetle instead.