Deal Me In, Week 3 ~ “Eidolons”

DealMeIn

Hosted by Jay @ Bibliophilopolis
What’s Deal Me In?

“Eidolons” by Harlan Ellison

Card picked: 10
Found in: Angry Candy

You’ve got time. You have always had time, but fear slowed you, and you were overcome. But this is the hour that stretches…and you’ve got a chance. After all, it’s only your conscience come to kill you. Stop shivering and put up your dukes.

The Story
Vizinczey, a man wanted on two continents, tells of Mr. Brown, a collector of tin soldiers. Or rather a collector of soldiers from throughout time which he turns into tin soldiers. Mr. Brown knows many secrets from Promontorium Sacrum, or the area beyond the edge of the map. Mr. Brown is killed by his “creations,” but he tasks Vizinczey with helping mankind. Vizinczey does so by imparting thirteen, well, “they are not quite epigraphs, nor are they riddles.”

These vignettes are about time, and inspiration, and creativity. Maybe. With Harlan Ellison, it’s hard to tell sometimes.

The Author
Harlan Ellison was a prolific, award winning, and occasionally problematic short story and screenwriter. He’s probably best known for the Star Trek episode “The City on the Edge of Forever,” though even that is subject to controversy…

Deal Me In, Week 2 ~ “Light And Space”

DealMeIn

Hosted by Jay @ Bibliophilopolis
What’s Deal Me In?

“Light and Space” by Ned Beauman

Card picked: J
Found at: The Guardian

Shortly after midnight on Christmas morning, a night watchman discovered me standing by Feretory with a fire axe held over my head. I am, or was, a senior member of MoMA’s curatorial staff, with a special interest in the Light and Space movement of the 1960s, and so naturally I’ve been called upon to give an account of why I should wish to destroy such an important work. My only reply is that in fact I wanted nothing less than to destroy it. Even after all that’s happened, I still recognise Feretory as a masterpiece. Destroying it would have been no more than an unavoidable consequence of what I really hoped to achieve with the axe that night.

The Story
This is one a several “Christmas” ghost stories that The Guardian ran in 2013. I bookmarked them probably in 2018, so I haven’t been sitting on them for *that* long. But it’s always fun to see where seasonal stories end up when you’re picking randomly.

Conroy Glasser is a 1960s “light and space” movement artist who worked in blocks of resin. His masterpiece, Feretory, is an impossibly seamless pillar of translucent plastic. What makes this sculpture even more mysterious is that the formula for the resin was proprietary, cooked up by Glasser and “a sympathetic polymer salesman from Hudson Plastic.” And also that Glasser’s wife disappeared around the time the sculpture was poured. And that Glasser committed suicide a few months later. And that in 1989 a curator of his works ended up in an mental institution after one of his assistants turned up dead. And that a collector of Glasser’s works from the same period as Feretory also committed suicide. The curator we meet in the quote above was also planning a new showing of Glassers, until he begins to suspect there are dark truths behind Glasser’s works.

In the real world there is no way that there wouldn’t be a thousand podcasts and YouTube videos about the (obvious) curse of Conroy Glasser and his art…

Conroy Glasser is fictitious, but the  Light and Space art moment is a real thing, involving minimal and abstract works that focused on the interplay of light, objects, and color. (That’s probably wildly inaccurate. I know very little about art.) Do an image Google search on Light and Space. You won’t be disappointed.

Also, a feretory is:

1. A receptacle to hold the relics of saints; a reliquary.
2. An area of a church in which reliquaries are kept.

The Author
Ned Beauman is a new author to me. He’s a British novelist, journalist, and critic. I enjoyed this story and I am tantalized by his novel The Teleportation Accident, “a hilarious sci-fi noir about sex, Satan, and teleportation devices.”

Pick a Card, Any Card

I’m not entirely sure if Light and Space can be accurately produced in two dimensions, but the back of these horizon playing cards might come close.

Horizon Playing Cards at Kardify
And at Kickstarter

Deal Me In, Week 1 ~ “What Tune the Enchantress Plays”

DealMeIn

Hosted by Jay @ Bibliophilopolis
What’s Deal Me In?

“What Tune the Enchantress Plays” by Peter S. Beagle

Card picked: 5
Found in: Sleight of Hand, Tachyon Publications, 2011

Ah, there you are. I was beginning to wonder.

No, no. Come in, do—it’s your lair, after all. Tidy, too, for a demon. I’d do something about those bones, myself, and whatever that is, over in the corner, that smelly wet thing. But each to his taste, I say; you probably wouldn’t think too much of my notions of décor, either. God knows, my mother doesn’t.

The Story
In the introduction to this story Peter S. Beagle admits that it is the voice of a character that comes easiest to him. As you can see from the beginning few sentences above, this story has a great deal of voice.

Our speaker is Breya, an enchantress of some power. She is from Kalagria where many of the women are witches, sorcerers, or enchantresses. Never the men, though. The men of Kalagria are carriers of magic. Furthermore, if a majkes of Kalagria marries an outsider, their daughters will not have any knack with magic. So, the story that Breya tells this demon before she sings him into oblivion at moonset is an unfortunate one: Breya’s true love was an outsider.

I didn’t remember this story from the first time I read back in 2011-ish. A different author five years later might have used this set up to tell a tale of gender reversal or maybe at least gender role reversal, but that’s not quite Beagle. Lathro, Breya’s love, goes off to become the man he thinks he needs to be. Breya goes after him under the advisement of her mother, who is bent on making Breya into the woman she needs to be.

The Author
Peter S. Beagle is best known as the author of The Last Unicorn, but he has a fairly large body of work. “What Tune the Enchantress Plays” is set in the same magical world as his novel The Innkeeper’s Song.

Pick a Card, Any Card

Music plays a role in this story and many of Beagle’s works. Vivaldi Playing Cards evoke some of that beauty and grace.

Vivaldi Kickstarter
And at Kardify

{Books} Two from True Crime

Alligator Candy Savage Appetites: Four True Stories of Women, Crime, and Obsession

 

Why Did I Choose These Books?
I chose both of these books due to my continuing investigation into true crime as a genre. Savage Appetites was recommended to be by multiple people because it is very much what I want to learn about: why do we “like” true crime. Alligator Candy was a book I chose through Goodreads’ “Readers Also Enjoyed.”

Alligator Candy: A Memoir by David Kushner

Every life has a defining moment, a single act that charts the course we take and determines who we become. For Kushner, it was Jon’s disappearance—a tragedy that shocked his family and the community at large. Decades later, now a grown man with kids of his own, Kushner found himself unsatisfied with his own memories and decided to revisit the episode a different way: through the eyes of a reporter. His investigation brought him back to the places and people he once knew and slowly made him realize just how much his past had affected his present. After sifting through hundreds of documents and reports, conducting dozens of interviews, and poring over numerous firsthand accounts, he has produced a powerful and inspiring story of loss, perseverance, and memory. Alligator Candy is searing and unforgettable. (via Goodreads)

What Did I Think?
When David Kushner was four years old, his older brother went missing and was later found dead. Obviously, being so young at the time, his memories surrounding the events are very hazy and muddled. For example, did his brother go off on his bike to the store just to get David some Snappy Gator candy? And that’s what really intrigued me about this particular story. Kushner grows up in the shadow of his brother, but gradually realizes how unreliable memory is. The memoir is about family and personal survival and how he came to find some truths about the event.

I listened to Alligator Candy as an audio book narrated by the actor Bronson Pinchot. As I keep saying about these true crime books, this was a hard “read.” Pinchot does a wonderful job reading it.

Original Publishing info: Simon & Schuster 2016
My Copy: Audio, hoopla Digital Library
Genre: memoir

Savage Appetites: Four True Stories of Women, Crime, and Obsession by Rachel Monroe

A provocative and original investigation of our cultural fascination with crime, linking four archetypes—Detective, Victim, Defender, Killer—to four true stories about women driven by obsession.

In this illuminating exploration of women, violence, and obsession, Rachel Monroe interrogates the appeal of true crime through four narratives of fixation. In the 1940s, a frustrated heiress began creating dollhouse crime scenes depicting murders, suicides, and accidental deaths. Known as the “Mother of Forensic Science,” she revolutionized the field of what was then called legal medicine. In the aftermath of the Manson Family murders, a young woman moved into Sharon Tate’s guesthouse and, over the next two decades, entwined herself with the Tate family. In the mid-nineties, a landscape architect in Brooklyn fell in love with a convicted murderer, the supposed ringleader of the West Memphis Three, through an intense series of letters. After they married, she devoted her life to getting him freed from death row. And in 2015, a teenager deeply involved in the online fandom for the Columbine killers planned a mass shooting of her own. (via Goodreads)

What Did I Think?
I hadn’t realized just how much the audience for true crime skewed toward female. I knew that it did, but when Rachel Monroe writes about the true crime convention that she attends, I didn’t expect that the vast majority of attendees would be women. Monroe writes about four case studies which illustrate what she finds to be archetypes of true crime fans: the detective, the defender, the victim, and the killer.

I’m not entirely sure I agree with Monroe’s theory that women especially are true crime fans because we slot into these types. It doesn’t quite feel right to me and, as Rennie from What’s Nonfiction, pointed out, it might be because these case studies are pretty  extreme. Monroe also floats the idea that because women taught at a young age to be wary and alert, true crime is sort of further training: maybe if we empathize alternately with the detectives, defenders, victims and killers, we can be better prepared for bad situations. Ironically, though true crime probably has never been more popular, violent crime rates are generally down.

My favorite of these four women profiled (which probably exposes my true crime archetype) was Francis Glessner Lee—the detective. Lee, an heiress, spent her later years creating miniature crime scenes to be used as a teaching tool. She also championed the cause of scientific investigation of crimes and is considered the mother of forensic science.

Original Publishing info: Scribner 2019
My Copy: Overdrive, Tempe Public Library

{Book} Columbine

Columbine

Columbine by Dave Cullen

EXPANDED WITH A NEW EPILOGUE “The tragedies keep coming. As we reel from the latest horror . . . ” So begins a new epilogue, illustrating how Columbine became the template for nearly two decades of “spectacle murders.” It is a false script, seized upon by a generation of new killers. In the wake of Newtown, Aurora, and Virginia Tech, the imperative to understand the crime that sparked this plague grows more urgent every year. What really happened April 20, 1999? The horror left an indelible stamp on the American psyche, but most of what we “know” is wrong. It wasn’t about jocks, Goths, or the Trench Coat Mafia. Dave Cullen was one of the first reporters on scene, and spent ten years on this book-widely recognized as the definitive account. With a keen investigative eye and psychological acumen, he draws on mountains of evidence, insight from the world’s leading forensic psychologists, and the killers’ own words and drawings-several reproduced in a new appendix. Cullen paints raw portraits of two polar opposite killers. They contrast starkly with the flashes of resilience and redemption among the survivors. (via Goodreads)

Why Did I Read This Book?
Columbine was probably the most recommended book I saw during this year’s Nonfiction November. I was in the market for true crime, though not necessarily this flavor of crime. Regardless, I saw the opportunity to check it out from the library and took it.

What Did I Think?
The Columbine High School shootings happened at a time when I had stopped watching TV for the most part (I had no cable and OTA in Lincoln, NE was sketchy) and I hadn’t become a regular consumer of online news—there was relatively little of anything to be had online in 1999. I knew the shootings had happened and that they were at the time the most fatal such incident, but honestly after it had left the immediate news cycle, I never followed up. I knew what happened right?

Well, honestly, even in the moment I was skeptical of some of the media’s conclusions. Music and video games weren’t the cause. The rest seemed plausible enough, though, didn’t it? Two outcasts had had enough and plotted their revenge.  But that wasn’t what happened. That was a narrative the media latched on to based on not-very-good early information. It was easy and it made sense in the moment. Law enforcement didn’t do much to counter that narrative. They had their own problems. Alas, the story is more complex and nuanced, as reality often is.

I am rather awed by the amount of compassion that Dave Cullen has in his writing for everyone, including the shooters and their families. There are many things that are still unknown and will never be known, but Cullen doesn’t luridly speculate. It would be easy to do so.

I’ve been thinking about why anyone should read a book like Columbine. Perhaps, yes, knowing the minds of these killers might be valuable, even to the general populous. The stories of the victims’ families and the triumphs of the injured are by turns tragic and inspiring. More broadly though, I hope that Columbine serves as a reminder that, as uncomfortable as it might be, nothing is ever as simple as one might think. That is a valuable thing to keep in mind.

Original Publishing info: Grand Central Publishing, 2009
My Copy: Overdrive, Tempe Public Library
Genre: nonfiction, true crime

{Book Quote} The Last Unicorn

The Last Unicorn

On a whim, slowly I reread The Last Unicorn by Peter S. Beagle, a chapter a day as a part of my morning routine. Every time I read it, something new pops out at me. This time it was this quote by the talking skull:

“You can strike your own time, and start the count anywhere. When you understand that—then any time will be the right time for you.”

As someone who is overly fond of New Year’s Day, the first of the month, Mondays, and blank pages, I would do well to learn this myself.

(The quote isn’t in the movie, but can I post about the talking skull without including a clip? No. Here he is voiced by René Auberjonois.)

{Book} Death by Suggestion

This book was provided to me by the editor for review consideration.

Death by Suggestion: An Anthology of 19th and Early 20th-Century Tales of Hypnotically Induced Murder, Suicide, and Accidental Death

Death by Suggestion: An Anthology of 19th and Early 20th-Century Tales of Hypnotically Induced Murder, Suicide, and Accidental Death, edited by Donald K Hartman

DEATH BY SUGGESTION gathers together twenty-two short stories from the 19th and early 20th century where hypnotism is used to cause death-either intentionally or by accident. Revenge is a motive for many of the stories, but this anthology also contains tales where characters die because they have a suicide wish, or they need to kill an abusive or unwanted spouse, or they just really enjoy inflicting pain on others. The book also includes an introduction which provides a brief history of hypnotism as well as a listing of real life cases where the use of hypnotism led to (or allegedly led to) death. (via Goodreads)

Why Was I Interested In This Book?
The late 19th and early 20th century was awash in periodicals. A wealth of literature is tucked away, nearly forgotten, in these magazines. It always surprises me how modernly “genre” some of these stories are, especially since they aren’t from the pulp magazine that appear by the 1920s. It’s fun to see what gems can be mined, especially on a particular theme.

In the case of Death by Suggestion, Donald Hartman has pulled together over twenty tales of hypnosis and mesmerism from the Victorian and Edwardian eras  in which death also plays a part. Hypnosis was quite the fad topic at the time and Trillby, the novel that spawned the character of Svengali, was a bestseller.

What Did I Think?
This was an entertaining collection. Appropriately, I read it during October and enjoyed all the perilous situations. There are murders; there are suicides; there are accidents. As is often the case for me, though, (maybe it’s my aging brain) I wish I wouldn’t have read it straight through. The stories tend to start feeling the same when I read too many in a row. It’s not the fault of the stories.

The anthology has some recognizable names (Ambrose Bierce, Arthur Conan Doyle) and some rather unknowns, as you might expect. In all cases the quality of the writing is pretty good, which is not always the case when delving into old magazines. I do wish the stories had been placed in chronological order, but that’s probably my over-want for order kicking in. I’ll probably eventually reread this anthology, but reorder the stories.

But, I’d also unreservedly recommend this anthology for Deal Me In, if one might start thinking about the 2020 edition of that challenge already. The story choice and stories themselves are far better than the Hitchcock anthologies I’ve been reading this year…

Original Publishing info: Createspace Independent Publishing Platform, 2018
My Copy: Kindle edition provided by the editor
Genre: mystery/crime