Deal Me In, Week 3 ~ “How to Sync Your Spouse”

DealMeIn

Hosted by Jay @ Bibliophilopolis
What’s Deal Me In?

“How to Sync Your Spouse” by Russell Nichols

Card picked: 6
Found at: Fireside Fiction

The Story

When Menzi saw Lindiwe, his heart skipped a beat.

When Lindiwe saw Menzi, her heart froze.

And the two of them have been out of sync ever since, with his clockwork heart now a beat early and hers now a beat late.

And, while this sounds romantic, it leads to many relationship problems for the couple especially when it comes to…ahem…ScrewTime. How does one sync her spouse? You go to a watchman, of course. The watchman, though, has bad news: the couple’s irregularity is also the basis of their love. And, in spec fic fashion, Nichols offers a nice flash fiction analogy for many long-time relationships.

The Author
Russell Nichols is a journalist, playwright, screenwriter, and short story and poetry writer. All the writing things are his. More about his work can be found at his web page.

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Review ~ Here Is Real Magic

This book was provided to me by Bloomsbury USA via NetGalley in exchange for an honest review.

Cover via Goodreads

Here Is Real Magic: A Magician’s Search for Wonder in the Modern World by Nate Staniforth

Nate Staniforth has spent most of his life and all of his professional career trying to understand wonder—what it is, where to find it, and how to share it with others. He became a magician because he learned at a young age that magic tricks don’t have to be frivolous. Magic doesn’t have to be about sequins and smoke machines—rather, it can create a moment of genuine astonishment.

The paradox is that the better you get at creating wonder with magic for other people, the harder it gets to experience it yourself. After years on the road as a young professional magician, crisscrossing the country and performing four or five nights a week, every week, Nate was disillusioned, burned out, and ready to quit.

Instead, he went to India in search of magic. Here Is Real Magic follows Nate Staniforth’s evolution from an obsessed young magician to a broken wanderer and back again. It tells the story of his rediscovery of astonishment—and the importance of wonder in everyday life—during his trip to the slums of India, where he infiltrated a three-thousand-year-old clan of street magicians. Here Is Real Magic is a call to all of us—to welcome awe back into our lives, to marvel in the everyday, and to seek magic all around us. (via Goodreads)

I.

“Do you want to keep doing magic?”

“I don’t know.”

“Do you want to do anything else?”

“No.”

If you replace “doing magic” with “writing,” I’ve pretty much had this same conversation in the recent past with Eric, my husband. Staniforth has it with his wife after several years of successful touring as a magician. He had fallen out of love with magic, so to speak. The wonder he originally felt when doing magic and had seen on the faces of his audience had faded. This book is the travelogue of his trip to India to find wonder again.

II.

There is an aspect of this books that makes me somewhat uncomfortable. I’m aware of the cultural appropriation that occurred within magic in the late 19th/early 20th century. The exotic Far East was all the rage and many western magicians took on the persona of Indian fakirs for tricks. The Indian rope trick, a hoax, only solidified the notion that people in India believed in mysticism and needed civilizing. Staniforth is aware of this too. He mentions Peter Lamont’s The Rise of the Indian Rope Trick both in the text and in his acknowledgements, yet, when he wants to see “real” magic, India is his first (only?) thought.

I can understand the want to visit a radically different culture in an effort to find a new perspective on magic. India has that, but Staniforth also shares his notion that wonder comes easier when you’re less burdened with knowledge. Which leave the possibility of an uncomfortable a==b==c comparison. I don’t think that Staniforth intends that, and he’s pretty quick to check his privilege, but why then just India? Why not travel the world looking for wonder?

III.

It’s hard to critique someone’s personal experience of the world. Staniforth is very earnest in his want to find wonder and inspire it in others. That also occasionally comes off as self-importance. He insists that magicians are a ridiculous lot and he isn’t satisfied with the wonder of magic only lasting to the theater door. I’m in the ridiculous profession of creating stories, but I don’t mind so much if the magic of the story fades when the book is closed. I also don’t have much trouble finding moments of wonder in my life,  but I’m the sort that finds a rainbow to be more incredible because of the optics behind it.

Staniforth does find wonder, but finds it more in the people and beauty of India than in its magicians. His take-away is that we can find wonder when you slow down and let yourself. And really, I can’t argue with that.

Publishing info, my copy: ePub, Bloomsbury USA, 1/16/18
Acquired: NetGalley, 10/11/17
Genre: memoir

hosted by Doing Dewey

Review ~ The Linking Rings

This book was provided to me by Henery Press via NetGalley in exchange for an honest review.

Cover via Goodreads

The Linking Rings by John Gaspard

What does Eli Marks have up his sleeve this time? Well, let me tell you, no matter the mystery, his sleight of hand always does the trick.

Eli’s trip to London with his uncle Harry quickly turns homicidal when the older magician finds himself accused of murder. Not Uncle Harry!

A second slaying does little to take the spotlight off Harry. Instead it’s clear someone is knocking off Harry’s elderly peers in bizarrely effective ways. But who?
The odd gets odder when the prime suspect appears to be a bitter performer with a grudge…who committed suicide over thirty years before.

While Eli struggles to prove his uncle’s innocence—and keep them both alive—he finds himself embroiled in a battle of his own: a favorite magic routine of his has been ripped off by another hugely popular magician.

What began as a whirlwind vacation to London with girlfriend Megan turns into a fatal and larcenous trip into the dark heart of magic within the city’s oldest magic society, The Magic Circle. (via Goodreads)

Why was I interested in this book?
This is the 4th Eli Marks mystery. The first, The Ambitious Card, established Eli as our working magician and amateur sleuth protagonist. I’ve enjoyed the whole series.

What Worked
Gaspard’s details about magic and the social aspects surrounding magicians are always great. Magicians have a strange dynamic of friendship/rivalry which I’m not sure exists in other industries. It’s a lot of fun and adds a certain amount of drama to situations.

The setting of The Linking Rings shifts away from the Twin Cities in Minnesota to London. While the sense of place isn’t as strong, I never doubted Eli and Harry jumping from tube station to tube station as murders happen around them.

What Didn’t Work (as much)
Set in London, this volume of the series doesn’t have one of the relationships that have made the other mysteries work better: Eli’s district attorney ex-wife and her cop fiance.  Without these hooks into the investigation, the clues in The Linking Rings just sort of accumulate around Eli. While he’s instrumental in the climax of the story, solving of the mystery feels abrupt.

Overall
This is a fun, honest mystery. Eli Marks is a great character and I’m hoping that John Gaspard continues to provide magic in future books.

Publishing info, my copy: Kindle, Henery Press, 01/16/18
Acquired: NetGalley
Genre: Mystery

Deal Me In, Week 1 ~ “A Dead Djinn in Cairo”

DealMeIn

Hosted by Jay @ Bibliophilopolis
What’s Deal Me In?

“A Dead Djinn in Cairo” by P. Djeli Clark

Card picked: 5
Found at: Tor.com

The Story
A bit of a longer story for my first of the year, but one I was especially looking forward to when I put my list together. Why? Djinn. They are underused in my opinion and I’m always interested in what different authors do with them.

Clark puts one in the center of a mystery…as the corpse.

Fatma el-Sha’arawi, special investigator with the Egyptian Ministry of Alchemy, Enchantments, and Supernatural Entities, stood gazing through a pair of spectral goggles at the body slumped atop the mammoth divan.

A djinn.

In this history, the border between our world and a world of the supernatural has been breached. There are ghuls, “angels,” and, of course, the djinn who have brought their brand of steampunk-ish technology to the era. This is still Victorian/Edwardian Egypt, though. While the djinn have helped remove the English from Egypt, Fatma, a woman, is still unique in her position as an inspector. On the surface, the death of the djinn seems to be a strange suicide. With unknown runes left inscribed around the body and an “angel’s tongue” found at the scene, Fatma suspects more but her theories are dismissed.

The investigation takes a world-endangering turn, which felt a little abrupt. The world that Clark created for this story is a lot of fun and it was surprising that Fatma and the Ministry don’t currently live on in other works.

The Author
P. Djeli Clark is an Afro-Caribbean-American writer of speculative fiction. He can be found online at The Musings of a Disgruntled Haradrim and on Twitter.

Review ~ The Ramshead Algorithm and Other Stories

This book was provided to me by the author in exchange for an honest review. (And trust me, if he knew about the extended metaphor in this review, he probably would have thought twice about asking…)

Cover via Goodreads

The Ramshead Algorithm and Other Stories by K.J. Kabza

Ramshead Jones has a billionaire father, a dysfunctional family, and a shocking secret nestled in the hedge maze in his backyard: Earth’s only portal to hundreds of other realities. When Ramshead’s unwitting father decides to rip the hedge maze out, Ramshead is forced to use dangerous magic to move the portal before it’s destroyed, too—unless the deadly maze of other family secrets that come to light destroys him first.

In THE RAMSHEAD ALGORITHM AND OTHER STORIES, sand cats speak, ghost bikes roll, corpses disappear, and hedge mazes are more bewildering than you’ve ever imagined. These 11 fantasy and science fiction stories from KJ Kabza have been dubbed “Sublime” (Tangent), “Rich” (SFRevu), and “Ethereal” (Quick Sip Reviews) and will take you deep into other astonishing realities that not even Ramshead has discovered.

Cover design and interior illustrations by Dante Saunders. (via Goodreads)

Why was I interested in this book?
Ages ago, I reviewed a Best Horror of the Year anthology that included Kabza’s “The Soul in the Bell Jar” (also included in this collection). I’ve been a fan ever since.

What Worked
Short story collections are like a box of chocolates. Sure, looking at the glossy bonbons, you don’t know which is going to be coconut cream and which one is, uh, pink, but you do roughly know what you’re getting when you buy a box of Whitman’s or Russel Stover. Such is the case when you pick up a collection or anthology—a certain quality author or editor is going to provide certain quality stories, despite inevitable pink cream equivalent. The way to avoid that is to buy a better box of chocolates. The Ramshead Algorithm, my friends, is a box of top-end Godiva.*

Every story in this collection is excellent. I had read over half of them in the past between Kabza’s self-pubbed collection Under Stars and some of his more recent publications. I decided to reread them in order to have the full experience of the collection. I noticed certain details (gardens, hedge mazes, ruins, and oceans) that repeat throughout as well a theme of searching and finding which I might have missed if I had only read the new-to-me stories.

I believe in my review of Under Stars I mentioned how well-done the world building is and I want to reiterate that. The short story form necessitates brevity, but every detail in these stories creates the world, whether the flash fiction-sized “All Souls Proceed” to the novella “You Can’t Take It With You.”

What Didn’t Work
My one and only beef was that I had scheduled out the stories from this collection not realizing that the final one in the collection “You Can’t Take It With You” was indeed a novella of a hundred pages. My entire reading schedule was messed up and it was basically my own darn fault.

So, there is nothing that didn’t work.

(Btw, “You Can’t Take It With You” is what Ready Player One would be without the nostalgia nods every .5 seconds. And this story is the better one.)

Overall
Readers might be interested to know that Kabza is a LGBTQ+ writer and some of his characters are LGBTQ+ as well. If your doing a diversity-in-reading challenge, sure, go ahead, this is a great collection to add to your pile. But, please, don’t let that be the only reason you decide to read The Ramshead Algorithm. Read it because who doesn’t want a box of Godiva?

* Okay, I’ll admit it, I have pretty middle class tastes and Godiva is what comes to mind when I think of classy chocolates. With a little googling, Godiva does make it to many “luxury” lists. Plus, most people have heard of Godiva while many of the other Swiss/French/etc. chocolatiers don’t really roll off the brain. But if you have a favorite high-end chocolate, go ahead and substitute it.

Publishing info, my copy: PDF, Pink Narcissus Press, 1/16/18
Acquired: 10/10/17
Genre: fantasy, science fiction, a dash of horror

Review ~ The Prestige

Cover via Goodreads

The Prestige by Christopher Priest

In 1878, two young stage magicians clash in the dark during the course of a fraudulent seance. From this moment on, their lives become webs of deceit and revelation as they vie to outwit and expose one another.

Their rivalry will take them to the peaks of their careers, but with terrible consequences. In the course of pursuing each other’s ruin, they will deploy all the deception their magicians’ craft can command–the highest misdirection and the darkest science.

Blood will be spilled, but it will not be enough. In the end, their legacy will pass on for generations…to descendants who must, for their sanity’s sake, untangle the puzzle left to them. (via Goodreads)

Why was I interested in this book?
This is a reread for me. Sometimes, I get so caught-up in ARCs and the unread books in my “pile” that I don’t let myself reread intriguing books that I enjoyed the first time around. Boy, am I glad I decided to reread The Prestige.

What Worked
I first read it in 2010, about two years before my earnest interest in magic took hold. From the my standpoint as a slightly-beyond-layman, Priest knows his stuff magic-wise. Previously, I didn’t fully appreciate the differences between Borden and Angier’s performance philosophies. The division between dedication to theory and dedication to end-performance still exists in a world  that contains both Ricky Jay and David Blaine.

The voices of the two magicians (and Andrew and Kate in the modern wrap-around) are clear and distinctive. This is something I didn’t appreciate the first time I read the story. I also didn’t fully appreciate the crossing events in the narrative. Basically, we’re given two separate (and incomplete) narratives; first Borden’s and then Angier’s. And that’s it. Despite having two modern characters working to make sense of the narratives, readers are left to fit pieces together without any extra-narrative interference. It’s a nice puzzle of a novel.

What Didn’t Work
We won’t talk about the science…

Also, Andrew and Kate in modern times are the least interesting portion of the novel, aside from the rather tense last five pages.

Overall
I’ll echo what I said in my first “review” of The Prestige: I wish I had read the book before seeing the movie. The movie is much different (how did I forget that Angier started out as fraudulent medium in the book?), but there are two major plot points —the twists—that are paralleled. But now that I’ve also seen the film probably a dozen more times, I’m further impressed by how well the adaptation works. Stakes needed to be higher in the movie. So, kudos to Jonathan and Christopher Nolan for creating a story that is the prestigious twin  of the book.

Publishing info, my copy: mass market paperback, Tor (tie-in edition with a terrible cover, not the cover above), 2006 (orig. 1995)
Acquired: Paperback Swap
Genre: horror, science fiction

Deal Me In, Week 48 ~ “Veil of Ignorance”

(Deal Me In logo above created by Mannomoi at Dilettante Artiste)
(Deal Me In logo above created by Mannomoi at Dilettante Artiste)

Hosted by Jay @ Bibliophilopolis
What’s Deal Me In?

“Veil of Ignorance” by David Barr Kirtley

Card picked: 6
From: Lightspeed, Issue 57, Feb. 2015

The Story
“Veil of Ignorance” is a science fiction short story based on John Rawls’ philosophical concept of the same name. Rawls’ theory is that (and forgive me, I know very little philosophy) we could live within a system of moral laws that an entire society could agree to if we could, in the process of creating such laws, divorce ourselves from who we are in that society and place ourselves in the shoes of any other member of that society. The example that is usually given: If half of the population is slave owners and half the population is slaves, and, if you personally are now randomly assigned a statues in this society (i.e. 50% chance of being a slave), wouldn’t you out-law slavery?

In this story, Kirtley plays out Rawls’ veil of ignorance concept among a group of friends using an alien drug. Brad, a member of the group, feels like his friends could treat each other better and gives them the drug without telling them what the effect will be. Soon, the group—Conrad (the playboy), Alyssa (his ditsy girlfriend), Dillon (the hanger-on), Kat (the weirdo), and Brad (the complainer)—are all sharing their thoughts and feelings. And it doesn’t go as well Brad hopes. Especially considering that Brad has forced them into the situation. Crime ensues. Maybe that’s what happens when thought experiments become real…

The Author
In addition to writing, David Barr Kirtley is the host of Geek’s Guide to the Galaxy podcast.