The Elder Eddas of Saemund Sigfusson; and the Younger Eddas of Snorre Sturleson
Saemund Sigfusson is credited with The Elder Eddas, a collection of poems dating from the Tenth and Eleventh centuries, many of them only fragments of longer heroic chants now otherwise entirely lost. Collected from oral tradition, the same story is occasionally repeated in varied form. Some of the poems prove that the collection is only a gathering made early in the middle ages, long after the composition of the pieces, and in no critical spirit. Snorre Sturleson, was the writer of Younger Edda or Snorri’s Edda, the Icelandic manual of poetics which contains many stories from Norse mythology. Its purpose was to enable Icelandic poets and readers to understand the subtleties of alliterative verse, and to grasp the meaning behind the many kennings that were used in skaldic poetry. It consists of seven manuscripts, dating from around 1300 to around 1600, which have independent textual value. (via Goodreads)
My first exposure to mythology of any kind was probably through the works of Ray Harryhausen. If not Jason and the Argonauts, then Clash of the Titans. I bolstered my knowledge of “the classics” with my own reading until I got to high school and college whereI was formally introduced to Greek and Roman mythologies. Norse mythology really isn’t taught as part of “the classics.” (Neither are any of the other world mythologies.) Being from the central plains of the US, this is maybe a disservice. My culture is not one born of a cushy climate. While Greek and Roman myths carry some commonalities, they are more for southern children, as Foster and Cummings point out.
One of the things that struck me reading the Edda translations, over the easy-reading stories presented by the Foster and Cummings, was that the stories and myths are about collecting information. While its probably a convention of this oral tradition to ask and answer questions, even the basic myths are based around gaining knowledge. Odin loses an eye for knowledge. The wheres and whys of things are important for survival.
Much of the Poetic Edda was over my head. Poetic conventions combined with very unfamiliar territory made for a very superficial reading at this point. I’ll probably give it a reread in a few years, assuming that I follow up on becoming more familiar with Norse myths.
Why did I choose to read this book? Wanted to fill a gap in knowledge.
Did I finish this book? (If not, why?) Yes.
Craft Lessons: Remember that where a character is from influences what stories they tell and relate to.
Format: Kindle ebook
Procurement: Free Kindle ebook