Tag Archives: fantasy

The Door in the Wall

The Door in the Wall

During my reading of The King in Yellow, I read H. G. Wells story “The Door in the Wall.” Since the collection was on my Classics Club list and I enjoyed the titular story quite a bit, I decided to finish the book before moving on.

The Chambers story “The Demoiselle d’Ys” is said to have anticipated Wells’ “The Door in the Wall.” In both, our protagonist crosses over into some other time or place. In “The Demoiselle d’Ys,” Philip is time-slipped into the past where he has a curious encounter. In “The Door in the Wall,” Lionel Wallace goes through a green door as a child and enters some sort of utopia. Though he promises to return as an adult, he never does, even though he sees the green door several more times throughout his life.

To a certain extent, I think Wells’ “A Dream of Armageddon,” bears resemblance to the Chambers’ story as well. In this case, a man named Cooper relates the “consecutive” dream he’s had. He has lived a whole other life within a dream world—what he purports to be the far future. At first this other world is Idyllic, but it turns dark when war breaks out. Cooper ends up living out his entire life and dying in the dream, similar to Philip’s snake-bitten fate in his time-slipped past.

Wells spends a lot of time in “A Dream of Armageddon” describing the beauty and terribleness of the war machines. This appreciation and dread of industrial machines is revisited often in these stories. In “The Cone,” a fairly basic revenge tale, I personally don’t know enough about smelteries to know when Wells is being fanciful, but his descriptions are vivid and full of grandeur. So also are the descriptions of deaths in “The Cone” and “The Lord of the Dynamos.” The victims meet their demises due to the evils of man rather than the evils of machines—the machines are only the tools—but their deaths are horrible in ways that only technology can seem to facilitate.

Man’s mind doesn’t fare well either in the industrial world. In “The Door in the Wall,” it’s Wallace’s business ambitions that keep him from going through the door again. The life of the protagonist in “The Diamond Maker” is pretty much ruined by his gem fabrication technology. (The story includes a long description of the actual technology.) The protagonist of “A Moonlight Fable” is also driven a little mad when he isn’t let by his mother to wear his very nice, spiffy suit. The suit is a thing of the modern world, which is being curtailed by the past, and the man just can’t take it.

Unfortunately, some of Wells’ 19th century attitudes are on display as well. When Neptune and a rogue celestial body are hurtling toward Earth in “The Star,” the “savages” believe it’s a good portent while the scientist are sure that humanity is screwed. (Neither are exactly correct.) “The Lord of the Dynamos” gives us Azuma-zi, a black assistant from the “mysterious East,” a savage of the sort that “give(s) souls to rocks and trees—and a machine is a thousand times more alive than a rock or tree.” Azuma-zi ends up sacrificing his abusive supervisor to the power plant’s main dynamo…

Wells does subvert colonial notions in a stronger manner in “The Country of the Blind.” Nunez, a sighted English mountain climber, finds a sequestered city where everyone is blind. Believing the adage “In the land of the blind, the one-eye man is king,” he attempts to conquer them. When that doesn’t go well, he tries to fit in, but eventually leaves when the head of the society demands that his eyes be put out. In a way, this is a tale of colonialism repulsed.

Whatever the subject matter, I do like Wells’ style of writing. While many writers might shoot for dry allegory, Wells is always lively enough that I don’t feel entirely preached at. Definitely a bright spot in the early 20th century writings I’ve been reading lately.

Deal Me In, Week 9 ~ “Paladin of the Lost Hour”

DealMeIn

Hosted by Jay @ Bibliophilopolis
What’s Deal Me In?

“Paladin of the Lost Hour” by Harlan Ellison

Card picked: A
Found in: Angry Candy, but also online at Ellison Webderland

And then the pillager’s fist came loose, and he was clutching for an instant a gorgeous pocket watch.

What used to be called a turnip watch.

The dial face was cloisonné, exquisite beyond the telling.

The case was of silver, so bright it seemed blue.

The hands, cast as arrows of time, were gold. They formed a shallow V at precisely eleven o’clock. This was happening at 3:45 in the afternoon, with rain and wind.

The timepiece made no sound, no sound at all.

The Story
This is my favorite short story.

When I decided on Angry Candy for Deal Me In, I debated whether to include “Paladin of the Lost Hour” because I’ve read it so many times in the past, but I couldn’t leave it out either. I read it (or rather listened to it) the day after Leap Day.

The story is about Gaspar, an old man who is the keeper of a watch that mystically holds the last hour of existence. It is also the story of a young veteran, Billie, who is not living, but simply marking time after returning from war. Their lives intersect and each are given friendship and grace. “Paladin of the Lost Hour” never fails to make me cry, though always enough time passes between my readings that I don’t quite remember what touches me and I’m therefore always taken by surprise too.

Some of Harlan Ellison’s stories are…oblique. Maybe they are satire anchored in a certain place and time (a problem I generally have with satire and allegory), or maybe they require a certain state of Ellison-ness to make as much sense as they should. “Paladin of the Lost Hour” isn’t one of those stories. Ellison won a Hugo for the novelette and a Writer’s Guild Award for the script adaptation that was an episode of 1985 Twilight Zone revival.

Pick a Card, Any Card

Endless Time playing cards are an apt fit for “Paladin of the Lost Hour,” clean and  cleverly designed. You can find out more about them at Kardify.

{Book} Trail of Lightning

Trail of Lightning (The Sixth World, #1)

Trail of Lightning by Rebecca Roanhorse

While most of the world has drowned beneath the sudden rising waters of a climate apocalypse, Dinétah (formerly the Navajo reservation) has been reborn. The gods and heroes of legend walk the land, but so do monsters.

Maggie Hoskie is a Dinétah monster hunter, a supernaturally gifted killer. When a small town needs help finding a missing girl, Maggie is their last—and best—hope. But what Maggie uncovers about the monster is much larger and more terrifying than anything she could imagine.

Maggie reluctantly enlists the aid of Kai Arviso, an unconventional medicine man, and together they travel to the rez to unravel clues from ancient legends, trade favors with tricksters, and battle dark witchcraft in a patchwork world of deteriorating technology.

As Maggie discovers the truth behind the disappearances, she will have to confront her past—if she wants to survive.

Welcome to the Sixth World. (via Goodreads)

Why Did I Choose This Book?
Trail of Lightning was the January pick for the occult detective literature group on Goodreads. I had heard good things about the book in the past and it sounded pretty good. I was especially interested in how this fit into the occult detective sub-genre.

Plot
I haven’t really solidified my thoughts on what might be considered occult detective fiction. Thus far, I think of it more on the detecting end than the action-adventure end, of which this book has a fair share. There was some time spent in a library as Kai sought clues amid oral tales that had been recorded on CD. I really wish these had played a bigger part in Maggie and Kai’s investigation. As it was, the characters felt led around rather than making their own decisions.

Characters
Maggie is a haunted character. She’s been through trauma and a toxic relationship. She not as hard as she lets on. Her relationship with Kai is fraught, and considering her suspicious nature, I’m surprised she couldn’t see what Kai’s true powers were earlier on.

Setting
I have very poor reading comprehension when it comes to book blurbs. I totally missed that the setting of this book was somewhat post-apocalyptic. I kind of wish it wouldn’t have been. I think I would have liked a contemporary fantasy set on the Navajo reservation. It’s is a world I’m not familiar with and I don’t think it needed an extra layer of strangeness. That said, though not a fan of the post-apocalyptic, I found the setting to be the most enjoyable part of this book because of its juxtaposition with the Navajo culture.

Overall
If I read the second book in this series, and I might, it will because of setting. It’s a world I wouldn’t mind spending more time in.

Original Publishing info: Saga Press, 2018
My Copy: Overdrive/Kindle editions from Tempe Public Library
Genre: fantasy

{Book} Minor Mage

Minor Mage

Minor Mage by T. Kingfisher

Oliver was a very minor mage. His familiar reminded him of this several times a day.

He only knew three spells, and one of them was to control his allergy to armadillo dander. His attempts to summon elementals resulted in nosebleeds, and there is nothing more embarrassing than having your elemental leave the circle to get you a tissue, pat you comfortingly, and then disappear in a puff of magic. The armadillo had about wet himself laughing.

He was a very minor mage.

Unfortunately, he was all they had. (via Goodreads)

Why Did I Choose This Book?
T. Kingfisher (aka. Ursula Vernon) writes the type of light, funny fantasy that I enjoy, and that I’d like to write.

Programming Note
I’ve noticed that, especially in prose fiction but also in non-fiction and TV/movies, there are three basic things that keep me interested: plot, characters, and setting. A story doesn’t need all of these, but it can’t utterly fail in one of them either. I’ve decided I want to think about these three aspects in my “reviews.”

Plot
Minor Mage has a pretty simple plot. Oliver is a twelve year-old mage’s apprentice, whose master has died before teaching him much. Unfortunately, his village needs him to journey to find the Cloudherders and bring back rain to break a drought. That’s it. The story is his journey through a haunted forest filled with bandits. And who are the Cloudherders anyway? How will he manage when he only knows three spells and has a young armadillo as a familiar? It’s the limitations that make the plot good.

As I noted back in my Sunday Salon post, I started the year reading Kingfisher’s The Twisted Ones. I put it down at the 20% mark because the plot was moving very slowly and, honestly, the creepy happenings weren’t enough to really hook me into the plot. There is probably a lot more going on plot-wise in The Twisted Ones, but it was taking sooo looong to get going.

Characters
T. Kingfisher’s strength is her characters. Oliver is admirable. He’s loyal to his community, but unsure of his own abilities and their motives for sending him off on his own. (He was going to go anyway!) He wants to be a more major mage, but his youth causes him to reach before becoming an expert at what he already knows. His familiar is an armadillo; only slightly wiser than Oliver and much more snarky. Their additional companion is a very peculiar minstrel who is always in trouble.

Setting
The setting isn’t too much different from generic medieval Europe. There’s a small village. There’s a haunted forest. Kingfisher does spice it up with quite a few plant details. There story does have some gore and some other creepy things which, if this were a movie, would probably put it in the PG-13 range despite the young main character.

Overall
Just the sort of fun, slightly absurd fantasy I was wanting. Great first full read of the year!

Original Publishing info: Red Wombat Studio, 2019
My Copy: OverDrive Read, Greater Phoenix Digital Library
Genre: fantasy

Deal Me In, Week 1 ~ “What Tune the Enchantress Plays”

DealMeIn

Hosted by Jay @ Bibliophilopolis
What’s Deal Me In?

“What Tune the Enchantress Plays” by Peter S. Beagle

Card picked: 5
Found in: Sleight of Hand, Tachyon Publications, 2011

Ah, there you are. I was beginning to wonder.

No, no. Come in, do—it’s your lair, after all. Tidy, too, for a demon. I’d do something about those bones, myself, and whatever that is, over in the corner, that smelly wet thing. But each to his taste, I say; you probably wouldn’t think too much of my notions of décor, either. God knows, my mother doesn’t.

The Story
In the introduction to this story Peter S. Beagle admits that it is the voice of a character that comes easiest to him. As you can see from the beginning few sentences above, this story has a great deal of voice.

Our speaker is Breya, an enchantress of some power. She is from Kalagria where many of the women are witches, sorcerers, or enchantresses. Never the men, though. The men of Kalagria are carriers of magic. Furthermore, if a majkes of Kalagria marries an outsider, their daughters will not have any knack with magic. So, the story that Breya tells this demon before she sings him into oblivion at moonset is an unfortunate one: Breya’s true love was an outsider.

I didn’t remember this story from the first time I read back in 2011-ish. A different author five years later might have used this set up to tell a tale of gender reversal or maybe at least gender role reversal, but that’s not quite Beagle. Lathro, Breya’s love, goes off to become the man he thinks he needs to be. Breya goes after him under the advisement of her mother, who is bent on making Breya into the woman she needs to be.

The Author
Peter S. Beagle is best known as the author of The Last Unicorn, but he has a fairly large body of work. “What Tune the Enchantress Plays” is set in the same magical world as his novel The Innkeeper’s Song.

Pick a Card, Any Card

Music plays a role in this story and many of Beagle’s works. Vivaldi Playing Cards evoke some of that beauty and grace.

Vivaldi Kickstarter
And at Kardify

#DealMeIn2019, Week 8 ~ “On Highway 18”

DealMeIn

Hosted by Jay @ Bibliophilopolis
What’s Deal Me In?

“On Highway 18” by Rebecca Campbell

Card picked: 10
Found at: The Magazine of Fantasy & Science Fiction, September-October 2017

The kids in the 7-Eleven parking lot knew everything that happened from one ens of the highway to the other. They knew, for example, about the last girl who’d been found—the one in the ditch beside the Petro-Can.

“Be careful, man,” he said, a kid Petra had known in the tenth grade, “you know how ghosts like highways. Watch out for hitchhikers.”

The Story
Maybe ghosts, maybe time slipping visitors from the future. Both of those concepts are too big, too loud for this story. Campbell captures the quiet smallness of summer for a couple of 16 year-old best friends in the early 90s: the dangers of hitchhiking, the changing social statuses that happen when friends get boyfriends and jobs, the inevitable changes that will occur post high school. But who are the girls who hitchhike on the 18 and why does one look so much like Petra’s friend, Jen?

Trivia
Highway 18 of the story refers to BC-18, a route on Vancouver Island in British Columbia.

Mini Reviews, Vol. 15

The Wedding Date cover The Wedding Date by Jasmine Guillory

I don’t read a lot of romances, but I will probably have some romantic elements in the story I’m writing. Hence, I’m going to make an effort to read a few. I picked The Wedding Date because it was available and it sounded fun. And it was! Pro: Alexa’s growth as a character wasn’t directly linked to her relationship with Drew. Con: The ending was very tidy. But I’ll allow it.

The Cure for Dreaming cover The Cure for Dreaming by Cat Winters

For some reason I thought this was book was going to be a heavier romance than it was. Due to its mesmerism plot, it had come up on my radar anyway. All in all, The Cure for Dreaming was okay. The protagonists were fairly young, which is a minus for me, but there were a few fairly scary bits.

Black Klansman cover Black Klansman: Race, Hate, and the Undercover Investigation of a Lifetime by Ron Stallworth

And now for something completely different… I became interested in Ron Stallworth’s story due to the current coverage that the movie is getting. Stallworth was the first black police officer in Colorado Springs in 1972 and spearheaded an information gathering task force investigating the local Ku Klux Klan in 1978. In an era when background checks were not easily done, Stallworth placed three officers in the Klan and had personal contact over the phone with Klan members, including speaking with (and ending up as personal security for) David Duke. The writing is occasionally repetitive, but it’s a pretty amazing story.